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Thutmose III

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The Qurna Excavations: Separating the Living from the Dead in Egypt

Built atop the 3,000-year-old Tombs of the Nobles, Qurna, a village located on the West Bank of the Nile, is one of the most important archaeological sites in Egypt, but it is also one of the most controversial. For nearly a century, the Egyptian government had wanted the citizens of Qurna out. Not only were they living on top of and within ancient tombs, they were also secretly looting priceless treasures, and making it impossible for excavations to take place. In 2006, the villagers were given their marching orders.


Overview of the Qurna Eviction

The significant problem posed by Qurna, in which a settlement had been built on top of an extremely important archaeological site, was first realized in the early 1900s. It is known from travelers’ accounts that the village of Qurna (aka. Kurna, Gourna) was already in existence since at least the 1800s. However, by the early-20 th century, it became apparent that not only were people living on top of pharaonic tombs, and in some cases inside them, but some villagers were looting tombs, which they could access beneath their homes, and selling off important artifacts. As soon as the Egyptian government became aware of what was taking the place, the started a plan to evict the villagers from their settlement.

Foundation tablet bearing the cartouche of the birth name and epithet “Amenhotep, the God, the Ruler of Thebes”. 18th Dynasty. From Temple of Amenhotep II at Kurna (Qurnah, Qurna, Gourna, Gurna), Egypt. The Petrie Museum of Egyptian Archaeology, London. With thanks to the Petrie Museum of Egyptian Archaeology, UCL. (Osama Shukir Muhammed Amin/ CC BY SA 4.0 )

The Egyptian government had planned to relocate the villagers of Qurna to a new settlement known as New Qurna. The man responsible for designing and building New Qurna was a famous Egyptian architect by the name of Hassan Fathy. The work began in 1946, and was completed six years later. Fathy’s philosophy behind this new village was as follows: “with the aid of local materials and techniques, sustainable human development and social cohesion can be met with vernacular architecture”.

A Question of Excavations

Proponents of the relocation provide several reasons as to why this was necessary. One of these, for example, is that the mud-brick houses of the villagers are an obstacle to the archaeological work that could potentially be carried out there. As an example, there are about 100 tombs, collectively known as the ‘Tombs of the Nobles’, which are sunk deep into the hillside located in this area of the Nile. Due to the houses of the villagers, however, it was not possible for archaeologists to excavate them.

Aerial view of the Tombs of the Nobles. The buildings belong to Sheikh Abd el-Qurna. Lower left corner: Ramesseum. (Raimond Spekking/ CC BY SA 4.0 )

During the late 18th and early 19th centuries, European Egyptologists were excavating in that area, as it was already known to be full of tombs belonging to ancient Egyptian nobles. These Egyptologists needed workmen for their excavations, which naturally attracted locals to settle in the area. Some of the discoveries made thanks to the labor of these workmen include the tombs of Nakht (a scribe of the granaries during the reign of Thutmose IV), Rekhmire (a vizier serving under Thutmose III, and Amenhotep II), and Menna (a scribe in the service of Thutmose IV). The unearthing of these tombs also resulted in the arrival of tourists to the site. As a consequence of this, the villagers of Qurna were presented with another source of income.

Ancient Egyptian women and men wearing kohl, from the tomb of Nakht in Thebes. ( Public Domain )

Fighting to Stay in Qurna

Apart from serving as tour guides, the people of Qurna also began to make fake artifacts/forgeries to sell to tourists seeking to take home pieces of ancient Egypt with them as souvenirs. These objects bear such a strong resemblance to the real thing that it is often difficult to distinguish the real from the fake. The villagers of Qurna have also often been accused of looting the tombs in order to sell the artifacts on the black market. This unsavory reputation was first given to the villagers by European tourists during the 18th century (for the sole reason that they looked poor and forbidding) and has survived to this day. Thus, another argument in favor of relocating the villagers of Qurna is that it would help protect the tombs from further looting.

Sources: ancient-origins.net, images attributed in the captions respectively.



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The Temple of Hatshepsut

The Mortuary Temple of Hatshepsut, also known as the Djeser-Djeseru (“Holy of Holies”), is an ancient funerary shrine in Upper Egypt. Built for the Eighteenth dynasty Pharaoh Hatshepsut, it is located beneath the cliffs at Deir el Bahari, on the west bank of the Nile near the Valley of the Kings. The mortuary temple is dedicated to the sun deity Amun and is situated next to the mortuary temple of Mentuhotep II, which served both as an inspiration, and later, a quarry. It is considered one of the “incomparable monuments of ancient Egypt.”

There are many examples of these great monuments and temples throughout Egypt from the pyramid complex at Giza in the north to the temple at Karnak in the south. Among these, the mortuary temple of Queen Hatshepsut (1479-1458 BCE) at Deir el-Bahri stands out as one of the most impressive.

The building was modeled after the mortuary temple of Mentuhotep II (c. 2061-2010 BCE), the great Theban prince who founded the 11th Dynasty and initiated the Middle Kingdom of Egypt (2040-1782 BCE). Mentuhotep II was considered a ‘second Menes’ by his contemporaries, a reference to the legendary king of the First Dynasty of Egypt, and he continued to be venerated highly throughout the rest of Egypt’s history. The temple of Mentuhotep II was built during his reign across the river from Thebes at Deir el-Bahri, the first structure to be raised there. It was a completely innovative concept in that it would serve as both tomb and temple.

The king would not actually be buried in the complex but in a tomb cut into the rock of the cliffs behind it. The entire structure was designed to blend organically with the surrounding landscape and the towering cliffs and was the most striking tomb complex raised in Upper Egypt and the most elaborate created since the Old Kingdom.

Hatshepsut, an admirer of Mentuhotep II’s temple had her own designed to mirror it but on a much grander scale and, just in case anyone should miss the comparison, ordered it built right next to the older temple. Hatshepsut was always keenly aware of ways in which to elevate her public image and immortalize her name; the mortuary temple achieved both ends.

It would be an homage to the ‘second Menes’ but, more importantly, link Hatshepsut to the grandeur of the past while, at the same time, surpassing previous monumental works in every respect. As a woman in a traditionally male position of power, Hatshepsut understood she needed to establish her authority and the legitimacy of her reign in much more obvious ways that her predecessors and the scale and elegance of her temple is evidence of this.

The Temple Design

She commissioned her mortuary temple at some point soon after coming to power in 1479 BCE and had it designed to tell the story of her life and reign and surpass any other in elegance and grandeur. The temple was designed by Hatshepsut’s steward and confidante Senenmut, who was also tutor to Neferu-Ra and, possibly, Hatshepsut’s lover. Senenmut modeled it carefully on that of Mentuhotep II but took every aspect of the earlier building and made it larger, longer, and more elaborate. Mentuhotep II’s temple featured a large stone ramp from the first courtyard to the second level; Hatshepsut’s second level was reached by a much longer and even more elaborate ramp one reached by passing through lush gardens and an elaborate entrance pylon flanked by towering obelisks.

Walking through the first courtyard (ground level), one could go directly through the archways on either side (which led down alleys to small ramps up to the second level) or stroll up the central ramp, whose entrance was flanked by statues of lions. On the second level, there were two reflecting pools and sphinxes lining the pathway to another ramp which brought a visitor up to the third level.

The first, second, and third levels of the temple all featured colonnade and elaborate reliefs, paintings, and statuary. The second courtyard would house the tomb of Senenmut to the right of the ramp leading up to the third level; an appropriately opulent tomb placed beneath the second courtyard with no outward features in order to preserve symmetry. All three levels exemplified the traditional Egyptian value of symmetry and, as there was no structure to the left of the ramp, there could be no apparent tomb on its right.

On the right side of the ramp leading to the third level was the Birth Colonnade, and on the left the Punt Colonnade. The Birth Colonnade told the story of Hatshepsut’s divine creation with Amun as her true father. Hatshepsut had the night of her conception inscribed on the walls relating how the god came to mate with her mother:

He [Amun] in the incarnation of the Majesty of her husband, the King of Upper and Lower Egypt [Thutmose I] found her sleeping in the beauty of her palace. She awoke at the divine fragrance and turned towards his Majesty. He went to her immediately, he was aroused by her, and he imposed his desire upon her. He allowed her to see him in his form of a god and she rejoiced at the sight of his beauty after he had come before her. His love passed into her body. The palace was flooded with divine fragrance. (van de Mieroop, 173)

As the daughter of the most powerful and popular god in Egypt at the time, Hatshepsut was claiming for herself special privilege to rule the country as a man would. She established her special relationship with Amun early on, possibly before taking the throne, in order to neutralize criticism of her reign on account of her gender.

Birth Colonnade – Hatshepsut’s Temple

The Punt Colonnade related her glorious expedition to the mysterious ‘land of the gods’ which the Egyptians had not visited in centuries. Her ability to launch such an expedition is a testimony to the wealth of the country under her rule and also her ambition in reviving the traditions and glory of the past. Punt was known to the Egyptians since the Early Dynastic Period (c. 3150 – c. 2613 BCE) but either the route had been forgotten or Hatshepsut’s more recent predecessors did not consider an expedition worth their time.

At either end of the second level colonnade were two temples: The Temple of Anubis to the north and The Temple of Hathor to the south. As a woman in a position of power, Hatshepsut had a special relationship with the goddess Hathor and invoked her often. A temple to Anubis, the guardian, and guide to the dead, was a common feature of any mortuary complex; one would not wish to slight the god who was responsible for leading one’s soul from the tomb to the afterlife.

The ramp to the third level, centered perfectly between the Birth and Punt colonnades, brought a visitor up to another colonnade, lined with statues, and the three most significant structures: the Royal Cult Chapel, Solar Cult Chapel, and the Sanctuary of Amun. The whole temple complex was built into the cliffs of Deir el-Bahri and the Sanctuary of Amun – the most sacred area of the site – was cut from the cliff itself. The Royal Cult Chapel and Solar Cult Chapel both depicted scenes of the royal family making offerings to the gods. Amun-Ra, the composite creator/sun god, is featured prominently in the Solar Cult Chapel with Hatshepsut and her immediate family kneeling before him in honor.

Hatshepsut’s Reign

Hatshepsut was the daughter of Thutmose I (1520-1492 BCE) by his Great Wife Ahmose. Thutmose I also fathered Thutmose II (1492-1479 BCE) by his secondary wife Mutnofret. In keeping with Egyptian royal tradition, Thutmose II was married to Hatshepsut at some point before she was 20 years old. During this same time, Hatshepsut was elevated to the position of God’s Wife of Amun, the highest honor a woman could attain in Egypt after the position of queen and one which would become increasingly political and important.

Hatshepsut and Thutmose II had a daughter, Neferu-Ra, while Thutmose II fathered a son with his lesser wife Isis. This son was Thutmose III (1458-1425 BCE) who was named his father’s successor. Thutmose II died while Thutmose III was still a child and so Hatshepsut became regent, controlling the affairs of state until he came of age. In the seventh year of her regency, though, she broke with tradition and had herself crowned pharaoh of Egypt.

Painting of Queen Hatshepsut

Her reign was one of the most prosperous and peaceful in Egypt’s history. There is evidence that she commissioned military expeditions early on and she certainly kept the army at peak efficiency but, for the most part, her time as pharaoh is characterized by successful trade, a booming economy, and her many public works projects which employed laborers from across the nation.

Her expedition to Punt seems to have been legendary and was certainly the accomplishment she was most proud of, but it also seems that all of her trade initiatives were equally successful and she was able to employ an entire nation in building her monuments. These works were so beautiful and so finely crafted that they would be claimed by later kings as their own.

Hatshepsut’s Rediscovery

Hatshepsut’s name remained unknown for the rest of Egypt’s history and up until the mid-19th century CE. When Thutmose III had her public monuments destroyed, he disposed of the wreckage near her temple at Deir el-Bahri. Excavations in the 19th century CE brought these broken monuments and statues to light but, at that time, no one understood how to read hieroglyphics – many still believed them to be simple decorations – and so her name was lost to history.

The English polymath and scholar Thomas Young (1773-1829 CE), however, was convinced that these ancient symbols represented words and that hieroglyphics were closely related to demotic and later Coptic scripts. His work was built upon by his sometimes-colleague-sometimes-rival, the French philologist and scholar Jean-Francois Champollion (1790-1832 CE). In 1824 CE Champollion published his translation of the Rosetta Stone, proving that the symbols were a written language and this opened up ancient Egypt to a modern world.

Champollion, visiting Hatshepsut’s temple, was mystified by the obvious references to a female pharaoh during the New Kingdom of Egypt who was unknown in history. His observations were the first in the modern age to inspire an interest in the queen who, today, is regarded as one of the greatest monarchs of the ancient world.

Tomb of Queen Hatshepsut

How and when Hatshepsut died was unknown until quite recently. She was not buried in her mortuary temple but in a tomb in the nearby Valley of the Kings (KV60). Egyptologist Zahi Hawass located her mummy in the Cairo museum’s holdings in 2006 CE and proved her identity by matching a loose tooth from a box of hers to the mummy. An examination of that mummy shows that she died in her fifties from an abscess following this tooth’s extraction.

Although later Egyptian rulers did not know her name, her mortuary temple and other monuments preserved her legacy. Her temple at Deir el-Bahri was considered so magnificent that later kings had their own built in the same vicinity and, as noted, were so impressed with this temple and her other works that they claimed them as their own. There is, in fact, no other Egyptian monarch except Ramesses II (1279-1213 BCE) who erected as many impressive monuments as Hatshepsut. Although unknown for most of history, in the past 100 years her accomplishments have achieved global recognition. In the present day, she is a commanding presence in Egyptian – and world – history and stands as the very role model for women that Thutmose III may have tried so hard to erase from time and memory.

Source: Ancient History (www.ancient.eu), Wikipedia (en.wikipedia.org).

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Thutmose III

Thutmose III 1479 – 1425 BC. Thutmose III possessed all the qualities of a great ruler. A brilliant general who never lost a battle, he also excelled as an administrator and statesman. He was an accomplished horseman, archer, athlete and discriminating patron of the arts. His reign, with the exception of the uncharacteristic spite against the memory of Hatshepsut, was notable for its lack of bad taste and brutality. Thutmose had no time for pompous, self-indulgent bombast and his records show him to be a sincere and fair-minded man.

During Hatshepsut’s reign, there were no wars. Egypt’s neighbouring countries regularly paid tribute but as is often the case when a new king comes to the throne subject nations are inclined to test his resolve.

Thutmose found himself faced with a coalition of the princes of Kadesh and Megiddo, who had mobilised a large army. Also the Mesopotamians and their kinsmen living in Syria refused to pay tribute and declared themselves free of Egypt. Not daunted, Thutmose immediately set out with his army and crossing the Sinai desert he marched to the city of Gaza, which had remained loyal to Egypt. The events of the campaign are well documented because of Thutmose’s private secretary, Tjaneni, kept a record which was later copied and engraved onto the walls of the temple of Karnak.

This first campaign revealed Thutmose to be the military genius of his time. He understood the value of logistics and lines of supply, the necessity of rapid movement and sudden surprise attack. He lead by example and was also probably the first person in history to really utilise sea-power to support his campaigns.

Megiddo was his first objective because it was a key point and had to be taken at all costs. When he reached Aaruna Thutmose held a council with all his generals. There were two routes to Megiddo a long, easy and level road around the hills, which the enemy expected Thutmose to take, and a route which was narrow, difficult and cut through the hills. His generals advised him to take the easy road through the hills, saying “horse must follow behind horse and man behind man also, and our vanguard will be engaged while our rearguard is at Aaruna without fighting” But Thutmose’s reply to this was “As I live, as I am the beloved of Ra and praised by my father Amon, I will go on the narrow road. Let those who will go on the roads you have mentioned; and let anyone who will, follow my Majesty” Now, when the soldiers heard this bold speech they shouted with one accord We follow thy Majesty whithersoever thy Majesty goes”.

Thutmose led his men on foot through the hills “horse behind horse and man behind man, his Majesty showing the way by his own footsteps”. It took about twelve hours for the vanguard to reach the valley on the other side and another seven hours before the last troops emerged. Thutmose himself waited at the head of the pass till the last man was safely through.

The sudden and unexpected appearance of Egyptians in their rear forced the allies to make a hasty re-deployment of their troops. There are said to have been over 300 allied kings, each with his own army, an immense force. However, Thutmose was determined and when the allies saw him at the head of his men leading them forward, they lost heart for the fight and fled for the city of Megiddo “As if terrified by spirits: they left their horse and chariots of silver and gold”

The Egyptian army, being young and inexperienced fell upon the plunder of the battlefield and lost the opportunity of taking the city immediately. Thutmose was very angry, he said to them “If only the troops of his Majesty had not given their hearts to spoiling the things of the enemy, they would have taken Megiddo at that moment. For the ruler of every northern country is in Megiddo and it’s capture is as the capture of a thousand cities.”

Megiddo was besieged. A moat was dug around the city walls and this was completed by a strong wooden palisade. The king gave orders to let nobody through except those who signalled at the gate that they wished to give themselves up.

The siege lasted some seven months but eventually the vanquished kings sent out their sons and daughters to sue for peace. “All those things with which they had come to fight against my Majesty, now they brought them as tribute to my Majesty, while they themselves stood upon their walls giving praise to my Majesty, and begging that the Breath of Life be given to their nostrils”

They received good terms for surrender. An oath of allegiance was imposed upon them “We will not again do evil against Menkheper Ra our good Lord, in our lifetime, for we have seen his might, and he has designed to give us breath.”

Thutmose III is compared with Napoleon but unlike Napoleon he never lost a battle. He conducted sixteen campaigns in Palestine, Syria and Nubia and his treatment of the conquered was always humane. He established a sort of Pax Egyptiaca over his empire. Syria and Palestine were obliged to keep the peace and the region as a whole experience an unprecedented degree of prosperity.

Thutmose III’s impact upon Egyptian culture was profound. He was a national hero who was revered long after his time. Indeed his name was held in awe even to the last days of Egyptian history. Besides his military achievements he carried out many building works at Karnak. He also set up a number of obelisks in Egypt. One of which, mistakenly called Cleopatra’s Needle, now stands on the Embankment in London. It’s brother is in Central Park in New York. Another is near the Lateran in Rome and there is also one of his obelisks in Istanbul. Therefore, he has had an unwitting presence in some of the most powerful nations of the last two thousand years.

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Ramesses II – The King of Kings

Ramesses II 1279 – 1213 BC — Ramesses II, son of Seti I, was around thirty years old when he became king of Egypt – and then reigned for 67 years. He had many wives, among them some of his own near relatives, and was the father of about 111 sons and 51 daughters.

As was usual in those days, the threat of foreign aggression against Egypt was always at its greatest on the ascension of a new Pharaoh. Subject kings no doubt saw it as their duty to test the resolve of a new king in Egypt. Likewise, it was incumbent on the new Pharaoh it makes a display of force if he was to keep the peace during his reign. Therefore, in his fourth year as pharaoh, Rameses was fighting in Syria in a series of campaigns against the Hittites and their allies. The Hittites, however, were a very strong foe and the war lasted for twenty years.

On the second campaign, Ramesses found himself in some difficulties when attacking “the deceitful city of Kadesh”. This action nearly cost him his life. He had divided his army into four sections: the Amun, Ra, Ptah and Setekh divisions. Rameses himself was in the van, leading the Amon division with the Ra division about a mile and a half behind. He had decided to camp outside the city – but unknown to him, the Hittite army was hidden and waiting. They attacked and routed the Ra division as it was crossing a ford. With the chariots of the Hittites in pursuit, Ra fled in disorder – spreading panic as they went. They ran straight into the unsuspecting Amun division. With half his army in flight, Rameses found himself alone. With only his bodyguard to assist him, he was surrounded by two thousand five hundred Hittite chariots.

The king, realizing his desperate position, charged the enemy with his small band of men. He cut his way through, slaying large numbers as he escaped. “I was,” said Ramesses, “by myself, for my soldiers and my horsemen had forsaken me, and not one of them was bold enough to come to my aid.”

At this point, the Hittites stopped to plunder the Egyptian camp – giving the Egyptians time to regroup with their other two divisions. They then fought for four hours, at the end of which time both sides were exhausted and Ramesses was able to withdraw his troops.

In the end, neither side was victorious. And finally – after many years of war – Ramesses was obliged to make a treaty with the prince of the Hittites. It was agreed that Egypt was not to invade Hittite territory, and likewise the Hittites were not to invade Egyptian territory. They also agreed on a defense alliance to deter common enemies, mutual help in suppressing rebellions in Syria, and an extradition treaty.

Thirteen years after the conclusion of this treaty in the thirty-fourth year of his reign, Ramesses married the daughter of the Hittite prince. Her Egyptian name was Ueret-ma-a-neferu-Ra: meaning ” Great One who sees the Beauties of Ra”.

Although brave in battle, Ramesses was an inept general – and I wonder how Thutmose III would have dealt with the Hittites. Maybe Ramesses also pondered this because he spent the rest of his life bolstering his image with huge building projects. His name is found everywhere on monuments and buildings in Egypt and he frequently usurped the works of his predecessors and inscribed his own name on statues which do not represent him. The smallest repair of a sanctuary was sufficient excuse for him to have his name inscribed on every prominent part of the building. His greatest works were the rock-hewn temple of Abu Simbel, dedicated to Amun, Ra-Harmachis, and Ptah; its length is 185 feet, its height 90 feet, and the four colossal statues of the king in front of it – cut from the living rock – are 60 feet high. He also added to the temple of Amenhotep III at Luxor and completed the hall of columns at Karnak – still the largest columned room of any building in the world.

Although he is probably the most famous king in Egyptian history, his actual deeds and achievements cannot be compared with the great kings of the 18th dynasty. He is, in my opinion, unworthy of the title ”Great”. A show-off and propagandist, he made his mark by having his name, like a graffiti artist, inscribed on every possible stone. Whereas kings such as Thutmose III left a stronger and more dynamic Egypt, after Ramesses death Egypt fell into decline. Luckily for Egypt, her prestige and pre-eminence as a world superpower were such that this process took a long time. Only one other king, Ramesses III (1184 – 1153 BC), was able to temporarily halt this process.